On the occasion of publishing Kupa Piti: White Man in a Hole by Australian visual artist Tim Georgeson, untitled is pleased to release this exclusive limited edition.
The limited edition comes accompanied by an archival inkjet print, available in two variants. Two carefully chosen images, each in an edition of 20, produced on Hahnemühle Museum Etching, a velvety texture paper prized for its depth of tones and high stability. Every print arrives with a numbered and individually hand-signed certificate of authenticity.
The book itself in the limited edition comes with black-edged pages, also numbered and signed by the artist.
This set represents a rare opportunity to own a piece of an extraordinary journey into one of the world's most surreal and remote places.
DETAILS:
Limited Edition Prints
Archival injekt print
Hahnemühle Museum Etching, 350 gsm
Photo 23 x 17,5 cm
2 variants, each in an edition of 20
Limited Edition Print 1 (The Bird), 2024
Limited Edition Print 2 (The Sun), 2023
Please choose your preference above.
Limited Edition Book
144 pages
210 × 280 mm
Black coloured edges
Hard cover
Kupa Piti: White Man in a Hole by Australian visual artist Tim Georgeson captures the surreal world of Coober Pedy. The landscape, defined by relentless heat and vast isolation, reveals only fleeting glimpses of human presence. In this post-apocalyptic frontier, Georgeson’s work presents the blurring boundaries between utopia and dystopia, myth and reality, desert and dream.
Working in both black-and-white and colour, Tim Georgeson’s photographs move between repetition and subtle shift, echoing the stretched rhythms of a place where silence has weight and absence tells its own story. The book is sequenced by editor Lucie Černá, whose careful layering of images reflects the psychological and spatial contrasts of Coober Pedy.
Photographs: Tim Georgeson
Editing & Sequencing: Lucie Černá
Text: Caia Hagel
Graphic design: Lara Damiens
Tim Georgeson is a multidisciplinary visual artist working in the mediums of film, photography, Installation and sound with a strong focus on environment / climate justice / culture and knowledge. He creates immersive cinematic spaces where environments and bodies are transformed through the gaze of unexpected visual-musical ecologies. His creative insight into the human condition gives his work a unique identity at the boundaries of art and documentary, where his film and photography capture complex dynamics in contemporary life and merge these moments with musical design and storytelling. A self-titled ‘settler artist’, he is known for his ground-breaking collaborations, most notably with Australian Indigenous artists. Georgeson has won World Press Photo, Leica Camera, Cannes, Global Oceanic, Ciclope and National Geographic awards. He has exhibited in solo and group exhibitions in France, UK, Japan, Holland, Canada, the US, and Australia. His work is held in the collections of the National Portrait Gallery of Australia, Bundanon Trust Art Museum, Art Bank, The Australian Museum, corporate and regional gallery collections around Australia and private collections internationally.
